Monday, July 8, 2013

Preview: Scott Gryder in "LIFE IS A CABARET" [VIDEO]

No comments:
Don't miss Scott Gryder in "LIFE IS A CABARET! The Music and Words of Kander & Ebb" on Saturday, July 20 in the Auditorium Theatre's Katten/Landau Studio. Catch a preview of the show and message from Scott below!



LIFE IS A CABARET! The Music and Words of Kander & Ebb

Summer Cabaret Series
Venue: Katten/Landau Studio - 425 S. Wabash, 4th Floor
Dates: Saturday, July 20, 2013
Times: 8PM
Price: $25 - $35 (VIP)
A 50th Anniversary musical tribute to the legendary songwriting team that gave us ChicagoKiss of the Spider WomanCabaret and so many more Broadway hits!  An intimate cabaret performance in the Auditorium’s studio space, featuring Scott Gryder with Nick Sula on piano, and Phil Martin on drums.
About the Artists:
Box Office: 50 E. Congress Pkwy. | Phone: 800.982.ARTS (2787) | Groups of 6+ 312.341.2357

Wednesday, June 19, 2013

Sizzling Soirée & Auction (Blackhawks, Bulls, Joffrey, & more!)

No comments:


Come dance the night away
on our historic stage!

Thursday, June 20, 2013
6PM – 10PM
This first annual fundraiser taking place on stage at the Auditorium Theatre during the week of the Summer Solstice will include cocktails, Latin-inspired hors d’oeuvres, music provided by Cerqua Rivera, dancing, silent auction, and wine raffle!

Ticket Prices: $150/each (not reserved)
or $1200 for a reserved table for 6.

Call or email Amanda Byrne (312) 341-2364 or abyrne@auditoriumtheatre.org.

The net proceeds benefit the Auditorium Theatre of Roosevelt University’s
ongoing programming, restoration & maintenance.

Silent Auction Highlights:
Blackhawks hockey stick autographed by the
2013 Western Conference Champs


Chicago Bulls United Center Club Level Suite for 12
for a game during the 2013-2014 Season

Private dancing lessons for up to 4 couples from famed former Joffrey dancer Willy Shives and Evie Pena-Shives
Tickets to OnceTo Master the ArtJungle Book, and more!
Wine Raffle Highlights:
Tickets at $25 each. Over 65 bottles to choose from!
In the mix, you might win:

2003 Chateauneuf du Pape Domaine Pierre Usseglio & Fils

2005 Chateau Lafron-Rochet Saint –Estephe

2008 Silver Oak Alexander Valley Cabernet Sauvignon

A very special Port from Grand Avenue Wineries
Wine

Thursday, June 13, 2013

Brett Batterson on how the performing arts can help heal a child’s grief

No comments:
By Brett Batterson, Executive Director
Published by Chicago Sun Times at 
http://atru.org/17JQIOh
On a bright, sunny June day when I was 7 years old, I received news that would change my life forever. I was playing on the front stoop of a neighbor’s house when a big, black car pulled up in front. Out stepped two men who proceeded to inform my mother, my two brothers and me that my father had suffered a sudden heart attack and was dead. He was 30 years old. So was my mother.
This is a story that can be told by countless children on a daily basis in America. Parents die and children are left fatherless or motherless. While this loss always leads to confusion, hurt and sadness in the children it affects, it can also lead to much worse symptoms like depression, aggression and feelings of unworthiness.
Luckily, I had an outlet that allowed me to channel my grief into a positive, healing direction: my involvement in the performing arts. The healing power of creative play gave me the confidence to express myself, the essential support of friendship I needed and an outlet for my sadness.
As I got older and found myself in a position to do so, I decided I wanted to give children who had lost a parent the same benefits I had participating in the performing arts. That’s why I started “Hands Together, Heart to Art” nine summers ago at the AuditoriumTheatre of Roosevelt University. This one-of-a-kind, award-winning day camp has helped more than 700 children who have experienced tragic loss heal through participation in music, theatre and dance. In addition, the camp provides access to healing counselors and caring, trained adults who guide the children through their camp days.
Let me tell you the story of one camper named Peter. Peter and his father were very close and spent a lot of time together, going to Sox games and fishing for bream in their favorite pond in the suburbs. But one day, Peter’s father was stopped by the police for a routine traffic violation. Peter’s father reached into his pocket for his cell phone and the police thought he was going for a gun. They shot him dead.
Peter came to us a broken young man, and said to us, “I don’t know how I can go on.” We worried about Peter. We worked with Peter. He found his place in dance class. He talked to the healing counselors. And he heard other kids’ stories and found out he wasn’t alone.
Peter returned to camp for three straight years and gained more confidence every year. He has become a fine young man with plans to attend college after he graduates high school. He asked me if I would write him a letter of recommendation for his application when the time comes. I was happy to say yes.
We have seen dozens of Peters at camp. It is their stories that drive us. And it is their growth as individuals that inspire us. It has been an enormously gratifying experience for me to know that these children are growing better thanks to our help, and that their stories may one day turn out to be as happy as my own, despite the shared loss we all experienced.
We have two camp sessions this July. All children are welcome; we have never turned a child away because of an inability to pay. This camp is for children who need it, not just for those who can afford it.

If you know of a child between the ages of 7 and 14 who would benefit from “Hands Together, Heart to Art,” please call (312) 341-2353 or visit Auditoriumtheatre.org. Your call could make all the difference in the course of a life for a young person who has experienced this all-too-common tragic loss.

Friday, May 24, 2013

Dudes on Dance: "Rodin" Edition [Video]

1 comment:
The Auditorium Theatre invited three gentleman, who had either never seen dance before or had seen it and not liked it, to be our guests at a performance of the "Rodin" by the Eifman Ballet of St. Petersburg. Take a look to see how our "dudes" reacted to their first Eifman Ballet encounter! 

Thursday, May 16, 2013

A Message About Dance from Boris Eifman

2 comments:
By Boris Eifman

The language of the body is one of the most ancient. It fixed the memory of sensual life of our ancestors’ many generations, and it makes dance a unique way to express the emotional world of human. Not only any feelings, movements of human nature can be displayed, but also the most complex intellectual and philosophical ideas. So dance is the very delicate tool that turns the artist’s hands into magic means to cognize the secrets of being.

During many decades I have been engaged in the development of human body’s expressiveness, using it for investigation of the individual’s inner and mental world. One of the most important creative tasks for me is to restore the lines that always united the ballet and psychological theatre, but were lost in XX century, in the era of choreographic abstraction. Psychologism must be inherent not only in drama, but also dance. Keeping this fundamental approach I create major ballet performances that are distinguished by acute intensity of emotions, serious dramatic basis and deep philosophical content. And coming to our ballets, the spectator finds the most important thing – catharsis, powerful emotional shock that cleanses the soul. A true magic of art is concealed in a similar impact.

Dance is a universal language of spiritual communication, rejecting cultural, national or any other barriers. Reflecting on the eternal themes of freedom, love, human passions, we play our performances with equal success in America, Asia, Europe, and Australia and constantly evoke in hearts of the audience the most vivid emotional response. I am delighted that owing to the support of Ardani Artists Management and direction of the Auditorium Theatre ofRoosevelt University of Chicago our theatre has an opportunity to perform its art on this excellent modern stage for interested and appreciative audience in America, every meeting with which becomes truly memorable for us.
----

The Eifman Ballet of St. Petersburg

Rodin
Venue: Landmark Stage
Dates: Friday, May 17 - Sunday, May 19, 2013
Times: Friday at 7:30 pm, Saturday at 8:00 pm, Sunday at 3:00 pm
Price: $90-$30
Visionary choreographer Boris Eifman’s full-length ballets combine dramatic stagecraft, exquisite technique and powerful dramatic interpretation. His newest ballet, Rodin, is based on the life of French sculptor Auguste Rodin (1840–1917) and his turbulent relationship with his mistress and muse, Camille Claudel. Set to music by Saint-Saëns, Massenet and Ravel, Rodin is a tale of artistic inspiration and the terrible price of genius.
Oleg Gabyshev, Principal Dancer of the Eifman Ballet, received the Golden Mask Russian National Theater Award for the title role in "Rodin."


Box Office: 50 E. Congress Pkwy. | Phone: 800.982.ARTS (2787) | Groups of 10+ 312.341.2357

Wednesday, May 15, 2013

A Note from Brett Batterson, Executive Director [MUSIC+MOVEMENT SHOWCASE]

1 comment:

MUSIC: An art of sound in time that expresses ideas and emotions.

MOVEMENT: A series of motions that match the speed and rhythm of a piece of music.

MUSIC + MOVEMENT FESTIVAL: A one-of-a-kind festival featuring 11 world premieres commissioned by the Auditorium, partnering live music with ground-breaking dance.

We opened this festival defining it in terms as simple as these; a few phrases to describe the journey we began this past February with the launch of the Auditorium Theatre’s MUSIC + MOVEMENT FESTIVAL, and look how far we’ve come.

Over the past few months, an incredible amount of talent has passed through our doors, and the collaborations that have formed through this festival have shown the vast amount of originality and diversity amongst Chicago artists. We are so thrilled to offer Auditorium audiences a second chance to see a selected group of these exciting performances in this evening’s showcase on our landmark stage along with the always wonderful Giordano Dance Chicago.

Tonight, you will witness six of the original MUSIC + MOVEMENT FESTIVAL premiere pieces from some of Chicago’s top dance companies and musicians. Originally performed as workshops in the Auditorium’s Katten/Landau Studio spanning February through April, all performances were reviewed by a panel of distinguished, anonymous dance professionals who selected six pieces for tonight’s program: Cerqua Rivera Dance Theatre with musicians James Sanders, Stu Greenspan and Joe Cerqua; Chicago Human Rhythm Project’s BAM! with the Greg Spero Trio and Tressa Thomas; DanceWorks Chicago with Paul Wertico; Kuumba Lynx with Urban Aspirations; Mexican Dance Ensemble with Los Condenados Huastecos; and Thodos Dance Chicago with Amanda Batterson.

I want to again extend special thanks to our sponsors for this festival. Demonstrating their continued commitment to artistic quality and increased diversity, The Chicago Community Trust, The Boeing Company and The Joyce Foundation have made generous contributions to support the Auditorium Theatre’s self-produced MUSIC + MOVEMENT FESTIVAL. All three of these wonderful community partners, support programs like our MUSIC + MOVEMENT FESTIVAL which increase the diversity of Chicago audiences, create works by artists of color and enhance the cultural fabric of the city. We could not have done this without them.

Although one major festival performance is over, I hope you were here for the River North Dance Chicago/Orbert Davis’ Chicago Jazz Philharmonic collaboration Havana Blue. Completing the festival, four companies, Kalapriya Dance Company, Full Effect Entertainment Theatrical Dance Company, Joel Hall Dancers and Chicago Multi-Cultural Dance Center’s Bryant Ballet, will revive their pieces throughout the city through June, offering a wider audience the ability to see the innovative, ground-breaking collaborations that have brought some of the most talented dance and music combinations together. Look for a stuffer in tonight's program to learn more about the locations and details of these performances.

Thank you again for joining us this evening. I hope the collaborations you see brought to life on our historic stage tonight inspire you to visit us again for our upcoming 2013–14 Season of world-class dance and music.


Brett Batterson
Executive Director 

Tuesday, May 14, 2013

Simplicity and Complexity in the Musée Rodin

2 comments:
In April, I took a special trip to Paris, France with my aunt. With the Eifman Ballet of St. Petersburg's performance of the ballet, Rodin, just a few weeks away at the Auditorium Theatre, I couldn't miss the opportunity to visit the Musée Rodin to gain unique perspective on Boris Eifman's newest work.

Located in the former Hôtel Biron, Musée Rodin houses the largest collection of his works as well as a garden. With their strict precision and bright colors, French gardens are beautiful and impressive in spring. Musée Rodin's is different. The foliage and blooms are more subdued highlighting the bronze monuments of the revered sculptor's most famous works with glimpses of the Eiffel Tour in the background.

The Thinking Man with
The Eiffel Tour in the background

Known for creating works that explore the human body and emotions like love and loss, Boris Eifman could not have selected a better visual artist on which to create a ballet. Similar to dance, I was struck by how simple Rodin's sculptures were at first glance, and then appreciated the complexity of the work as I processed details like facial expressions, body positions, muscle tones and emotions that are captured. 


The Three Shades - simple shape yet complicated details
I'm excited to watch the Eifman Ballet bring Auguste Rodin, his sculptures and his relationship with his mistress and muse, Camille Claudel to life in a couple weeks. Here are a few more photos from the museum's gardens, and learn more about them here.
The Gates of Hell - a simple door from a far
can become so much more
Ugolino and His Children


View of Musée Rodin from the north side of the garden


The detail of the bronze monuments were captivating.
Look at the detail in this opened boot.

Me and my aunt in front of The Thinking Man.

Disqus for Auditorium Theatre Blog