Friday, August 24, 2012

WWII Song Book [Guest post by Tammy McCann with VIDEO]

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By Tammy McCann



I'm so thrilled to have this opportunity to share my musical vision with the Auditorium Theatre Membership.   Music for me is a basic and expansive form of human communication.   It’s a medium that is the most personal form of expression and also brings people together.  Jazz, in particular, is such a rich and varied idiom that allows one to create their own language. With this show I hope to  uplift and connect with the listener and the intimate setting of the Katten/Landau Studio is the perfect venue.

In my research of this time period I found music rich with humanity, love and longing.  The show is entitled “I'll Be Seeing You” because I felt this song embodied the heartfelt wish of a soldier to his young bride or a mother to her beloved son. That this was not good-bye but just a short moment in time that would be over before they knew it.  I’m so fascinated by the amazing strength of the men and women who endured so much during this time in our nation's history and I  wanted to share my interpretation of these timeless stories.   Please join me to celebrate the” WWII Song Book” and lets create some new memories together .

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Tammy McCann is an internationally recognized Jazz Vocalist whose powerful, sultry, and soulful voice paints pictures and tells stories by merging Classical vocal technique and Gospel esthetic with Jazz to create a sound that is completely her own.  Or as Jazz Critic Stanley Crouch would put it, “Her pitch is superb,…clear on the top and startling at the bottom, while all of the steps in between are polished with swing...”    Ms. McCann’s warm delivery allows her audience to go on the musical journey with her and her engaging personality imprints the memory of her performance on their hearts.  McCann has performed with such luminaries as Von Freeman, Ramsey Lewis, Les McCann, and toured as a ‘Raylette’ with the great Ray Charles. With sold out shows in some of the top jazz venues in America including Birdland, The Blue Note, and Jazz at Lincoln Center's Dizzy’s Club Coca Cola and the Jazz Showcase.  Tammy McCann is one of the rising stars with a one of a kind voice.  Or as Chicago Tribune’s Arts Critic, Howard Reich would put it McCann has, “A voice that soars in all registers, at all tempos, on all occasions .. a voice that inspires wonder!”

About her upcoming show, “I’ll Be Seeing You – The World War II Songbook,” McCann says, "I’m so fascinated by the amazing strength of the men and women who endured so much during this time in our nation’s history.  In my research I found music rich with humanity, love and longing.  Timeless stories that need to be shared."

The show will feature, "Do Nothin' Til You Hear From Me" by Duke Ellington with lyrics by Bob Russell, "I'll Be Seeing You"  by Sammy Fain with lyrics by Irving Kahal, "Don't Get Around Much Anymore" by Duke Ellington with lyrics by Bob Russell and "Straighten Up and Fly Right" written by Nat King Cole and Irving Mills.

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Tammy McCann: I’ll Be Seeing You – The World War II Songbook
Venue: Auditorium Theatre Katten/Landau Studio, 425 S. Wabash
Dates: Saturday, August 25, 2012
Times: 8:00 pm

THIS EVENT IS SOLD OUT

Wednesday, August 22, 2012

2012 Chicago Dancing Festival - Dancing East and West of Chicago

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From Arizona, California, Seattle and New York, five of America’s leading dance companies are brought together tonight to share the grand stage of Chicago’s famous Auditorium Theatre presenting dance classics and new creations. Follow the links below to learn more about the pieces, the choreographers that created them and the dancers that will be dancing them!

The program tonight includes:

Jerome Robbins (Choreographer)
Pacific Northwest Ballet guest artists Lesley Rausch and Seth Orza

George Balanchine (Choreographer)
Ballet Arizona

Marius Petipa (Choreographer)
Stars of San Francisco Ballet
Sofiane Sylve and Vito Mazzeo

Martha Graham (Choreographer)
Martha Graham Dance Company

Brian Brooks (Choreographer)
Brian Brooks Moving Company

Dancing East and West of Chicago
Venue: Auditorium Theatre of Roosevelt University
Dates: Wednesday, August 22, 2012
Times: 7:30 pm
Price: SOLD OUT

Unclaimed tickets will be released 15 minutes prior to curtain time to customers in a standby line. The standby line begins one hour before the performance, in person only. 

Because of the popularity of the Festival, audience members not able to secure tickets to the indoor venues are encouraged to attend the Celebration of Dance grand finale on the stunning outdoor stage of the Jay Pritzker Pavilion in Millennium Park on Saturday, August 25. No tickets are required for this outdoor performance and all seating is on a first-come, first-served basis. 

Thursday, August 16, 2012

Dance for Life - 20+ years of fighting HIV/AIDS in our community

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The mission of Dance for Life is to promote dance in Chicago while supporting HIV/AIDS care, education, and prevention in metropolitan Chicago.

In 1992, the first Dance for Life was held at Chicago’s Organic Theatre and raised approximately $18,000 for the AIDS Foundation of Chicago. Tickets were $25 and the 400-seat theatre sold out weeks in advance.

Over the past 20 years, all performances have sold out, raising nearly $4 million dollars in the fight against HIV/AIDS and has grown into the Midwest’s largest performance-based AIDS fundraiser. Now, Dance for Life takes place at the 3,000+ seat Auditorium Theatre of Roosevelt University and tickets range from $50 for general reserved performance seating to $500, which includes premiere performance seating and the pre-performance gala reception.

Since 1992, Dance for Life has supported 26 AIDS Service Providing Organizations in metropolitan Chicago with unrestricted funding that provide critical services to those whose lives are impacted by HIV/AIDS. This number does not include the additional local organizations that also benefit from AFC’s increased ability to award additional grants.

Dance for Life has also presented 29 Chicago-based professional dance companies and choreographers presenting its audience with a wide array of dance styles over the years. It also supports a South African school each year with a $5,000 grant for AIDS prevention and education.

The Dancers’ Fund, a funding program of Dance for Life, was created in 1994 as a one of a kind fund with the mission to provide emergency financial assistance to dancers living with HIV/AIDS. Later, the fund was expanded to include anyone in the dance community living with HIV/AIDS (administration and backstage support services) and expanded again to assist anyone in the Chicago dance community living with any life-threatening illness. Since all the dance companies perform gratis, the Fund acts as an insurance policy for dancers who often lack health insurance.


This year, Dance for Life hosts two exciting, world-premiere performances by renowned choreographers Randy Duncan and Harrison McEldowney.

Participating Companies Include:

The Joffrey Ballet                                             
Giordano Dance Chicago
Hubbard Street Dance Chicago
River North Chicago Dance Company
Luna Negra Dance Theater
Ron de Jesus Dance

WHEN:                  
Saturday, Aug. 18, 2012
5:00 p.m. – Gala Reception – Hilton Chicago Grand Ball Room (720 S. Michigan Ave.)
8:00 p.m. – Dance for Life Performance – Auditorium Theatre (50 E. Congress Pkwy.)
*Complimentary shuttle bus service provided between the two venues.

COST:                    
$50-$75 (performance only)
$175-$500 (includes admission to 5:00 p.m. gala reception and premiere seating at the performance)
To purchase tickets, please call 800.982.ARTS (2787) or visit http://www.ticketmaster.com/event/07004887B6C7358B



$15 student rush tickets will be available 1 hour before the show at the box office.  2 tickets per valid student I.D. Subject to availability.

WHERE:                
Performance – Auditorium Theatre, 50 E. Congress Pkwy., Chicago
Gala Reception – Hilton Chicago, 720 S. Michigan Ave., Chicago


Wednesday, August 8, 2012

The Art Mark

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By Patricia Morris




There is something about the arts that just sticks with you. It could be the memory of a happier time, the sentiment about a certain song or a dance piece, or maybe it reminds you of what you actually thought you would become when you were younger. But, I guess no matter where you are standing, what you are doing, where you are living, who you love…art lives inside you. That’s why it’s easier to get the chills when you listen to Tchaikovsky, share a tear when you see Natalia Osipova do an arabesque, get excited when you watch little children create art work or even when they act in a play. It’s easier to get along with former dancers, singers or actors. It’s just like a secret community, and it seems like we are all walking on the street with our faces different from everyone else; we can actually recognize each other. Apparently, art marks you for life.

According to the dictionary the word ‘mark’ means: “Clearly defined and evident; noticeable. Singled out for notice or especially for a dire fate.” I stopped for a second and thought a little bit about the idea of ‘a dire fate.’  I think this is how the four of us (three former dancers and a singer) landed at the Auditorium Theatre of Roosevelt University (ATRU). The venue, the organization, the staff, everything and everyone is marked. For the four of us coming from totally different places and various backgrounds, learning the ‘how to’ of the Auditorium has been a lifetime experience.

Personally, as the marketing intern, being involved in the creation of a particular brand for some of our new season shows has been amazing, especially learning how things work in The United States and also the importance of grassroots marketing. I learned a lot from the staff; I love how passionate and dedicated they are, and most of all their openness to opinions and new ideas. I think that is the key for a great team. One of my favorite random things I learned about the Auditorium, maybe is silly, but I loved the idea that once this venue was used as a bowling alley. Just seeing the pictures and the way the stage was changed to fit a bowling alley on the stage, it all sounded like a very good idea.

In talking with the other summer interns, Rachel and Aurélie, the two Art Administration interns, and Tori in Education, they also shared their favorite memories from the summer.

“I think for me” Rachel said, “one of my favorite memories was the day Aurélie and I went to the Newberry Library to do a search for our theatre archives. We were able to view a personal scrapbook that Ferdinand Peck, the visionary behind the Auditorium, put together of the dedication of the theatre and opening night in 1889.” The scrapbook included, among other things, newspaper clippings from all over the world, letters from colleagues, and an original program from opening night.

“I thought it was hilarious,” Rachel added, “that Dankmar Adler had so carefully calculated the building’s future settlement to a maximum of six inches, but that while he was away on business Louis Sullivan and Ferdinand Peck decided to make the Auditorium the tallest building in Chicago, which required adding an extra floor to the main building and another level to the tower. They accomplished their goal, but with all that extra weight the building has settled 29 inches over time! Poor Adler!”

Aurélie added, “I also was very impressed by all of the history of the Auditorium Theatre and how modern it was when it opened in 1889. It is really amazing to learn all about this architectural marvel and historic building, and to think that it is still alive, hosting some of the best performances in the world. I’m so lucky that I’ll be working at ATRU throughout the fall; one of the things I’m really excited about is Moulin Rouge® – The Ballet and Sister Act. I am currently working on Moulin Rouge for the sales, the concessions and the gala and I love it.”

 “Sometimes I cannot believe how quickly this summer has passed,” commented Tori. “Although the bulk of my internship was spent at Hands Together, Heart to Art (HTHTA) I was able to get a small taste of other projects that the education department oversees. In a perfect world, HTHTA would be accessible to children everywhere. It’s certainly hard to choose, but I would have to say that my favorite memory is from the last day of camp when all seven Junior Counselors I supervised surprised me with a thank you card and a group hug—I was definitely not expecting either!”

What will you do after an internship at ATRU?

Rachel: I’ll return to Butler University to finish my senior year where I’m studying Arts Administration and Music. In the upcoming semester I’ll start blogging for our Arts Administration department, discussing this internship and other senior wisdom, which I’m very excited about. Also, I’ll continue my choral singing in ensembles.

Tori: I will return to Northwestern University for my senior year where I will finish my degree in the School of Education and Social Policy. I will be a Community Assistant in a residence hall for my second year, continue with a few other extracurricular commitments, and take a dance class as often as possible. 

Aurélie: I’ll be staying at ATRU until mid-December, but when I return to France, I will have to choose different options in which to specialize myself, and this internship has helped me a lot to define what I need to learn in order to succeed in this area. But, so far what I am sure about is that I definitively love working in non-profit organizations.

Patricia: As for me, I still have one more year to finish of my Master’s Degree at The School of the Art Institute. Then, I’ll decide what I want to be when I grow up! I have an internship this winter at the New York International Ballet Competition, and I’m also working on my thesis as we speak. I’m seriously thinking about applying to a fellowship in Washington D.C. next year, but we’ll see what happens.

On behalf of all the interns this summer, I really want to thank the wonderful staff that made this feel like home. Thank you for your patience, your hugs, the great conversations from desk to desk, and the pep talks in the halls and sometimes in the kitchen. Thank you for helping us every step of the way, and above all for inspiring us. All of you are mentors now, thank you for that!

 








Tori, Rachel, Aurélie and Patricia


“Arts are an integral part of living, creating, healing, and celebrating. As long as my work serves that purpose, I can’t imagine a better kind of success. “Victoria Romba (aka Tori, Education Intern) 

Friday, August 3, 2012

It’s All in the Name – The Junior Board presents The Devil’s Ball

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“He play'd the music at the Devil's Ball
 In the Devil's hall
I saw the funniest devil that I ever saw…”
- Irving Berlin

The Devil’s Ball is a is an annual fundraiser thrown by our Junior Board in order to raise money and generate awareness for the Auditorium Theatre for continued support in artistic programming, education, and restoration efforts.

So now you ask, why the name, “The Devil’s Ball?” We’ve had several questions about the name lately, so we thought we’d clear up the confusion. The event was partially named after the song At the Devil’s Ball (1913), composed by Irving Berlin. The song offers a view of life in a contemporary city of 1913 as exciting and glamorous. Mr. Berlin is a very well know composer, having created the scores for Madame Butterfly, Top Hat and even White Christmas, a song featured in Holiday Inn (1935). And just as a side note, he was popular icon within the Hollywood elite of the era; he was a very close friend and colleague with Fred Astaire, Judy Garland and Ginger Rogers. We encourage you to listen to the song and read the full lyrics.

The Devil’s Ball was also inspired by the popular novel by Erik Larson and Chicago’s connection to the 1893 World’s Fair that the Auditorium Theatre was a part of. The author actually quotes some of the features of the Auditorium in his novel: "The result was an opulent structure that, for the moment, was the biggest private building in America. Its theater contained more than four thousand seats, twelve hundred more than New York's Metropolitan Opera House. And it was air-conditioned, through a system that blew air over ice."

And finally, although this is only the second Devil’s Ball the Junior Board has hosted, we will continue to host the gala in the fall, sometime around Halloween season.

So, now you know a little bit more about this event and the reference it has not only to the Auditorium Theatre, but also to Chicago’s history. The Devil’s Ball is a cocktail party that celebrates not only the Auditorium, but also ‘old Chicago’ in a gala event for those 21 years of age and above, as there will be an open bar.  The Junior Board is a group of young professionals dedicated to the preservation and restoration of our National Historic Landmark, Auditorium Theatre.  The event will also feature a silent auction, wine raffle, heavy appetizers, guided theatre tours of the historic Auditorium Theatre, a DJ and dancing.  Plus, make a trip to our popular return attraction, the Smilebooth. Don’t miss this opportunity to explore Chicago in a whole new way; dance with us at the Devil’s Ball.

The Devil’s Ball
Friday, September 28, 2012
7:30pm – Midnight
$65 before Sept. 13

Friday, July 27, 2012

Dance Became a Sweet Addiction [Intern Intro: Tori]

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By Tori Romba, Education Intern


With this being my first ever blogpost, I so desperately want to write something that is well-crafted, witty and imbued with some kind of old-soul wisdom.  Reflecting on my experiences from the past few weeks at the Auditorium Theatre of Roosevelt University as the Education Department and Hands Together Heart, to Art (HTHTA) summer camp intern I feel like the above should be easy to accomplish.  However, I am a bit daunted; I’ve never been very witty; instead of “crafting” my words I am scribbling the first draft while riding the train; and, to top it off the only words I can think to start with are from the classic (okay, cliché) one-liner: “Life is a journey—not a destination.”  Well, if it didn’t resonate with most people or wasn’t rooted somewhere in truth, I guess that sentiment wouldn’t be so familiar.  It’s the best I can do so here goes…

… “Journey.”  I’d like to think that my journey albeit relatively short at this point has allowed me to see and experience so much.  If I had to pick a starting point it would have to be when I discovered my voice for the first time in a dance studio.  That discovery came from the electricity I felt every time I stepped up to the barre, the inspiration I found in the artistry of great teachers, mentors and fellow students, and ultimately the articulate language my body could speak when no words came from my mouth.  That’s what dance gave me—a soul, a voice, passion, and curiosity.  I suddenly felt so much closer to the answers of questions like “Who am I?” and “What am I capable of saying in a way that is uniquely my own?” when I was freely exploring and celebrating the space around me.

Dance became a sweet addiction that sustained me while challenging to swallow everything else in my life whole.  Although dance took me to some incredible performances, a summer intensive or two, and to Berlin, Germany for the 2009 Tanzolymp Dance Festival, I still made the hard decision to turn down a ballet conservatory and study in St. Louis for my first year of college—“UNDECLARED” replaced by bunhead identity.  The following year, dance again pinched me awake, and brought me to New York as an Ailey BFA student at Fordham University.  The hot-to-cold transition was invigorating but ultimately unsatisfying.  Once again, I began to feel swallowed whole.  I could say so much through dance but knew I could say more only if I allowed myself to learn more through seeing other places and hearing others’ thoughts. 

Dance brought me back to Chicago—a city where dance is a sometimes a struggling but always changing world.  Now, I am able to continue dancing while earning my bachelor’s degree at Northwestern University.  Studying Human Development allows me to bring other past experiences out of the shadows that a life of only dancing once cast.  I can rediscover the challenges and joys of working with children as a dance teacher; reflect on what I learned about the human spirit while working with the elderly at an assisted living center; and even do the same with what I learned about the human condition while working the drive-thru at McDonald’s years ago.  Now the moving experience of working with children and early teens as they explore the arts and continue to grieve the loss of their deceased parents is the next step in my journey.  My time in the ATRU Education department has been a great introduction to arts education, the world of not-for-profit organizations, and of course the legacy of the Auditorium Theatre.  Meeting incredible young people with so much strength, and working on a staff of passionate artists and compassionate educators has been invaluable.

This summer at ATRU and HTHTA, I’ve definitely learned so much.  I know that I will have so much to say both in words and movement when the summer comes to a close.  That’s why I am so grateful that I’ve been given this chance to combine my love for the arts with my desire to connect with others.  And, woven throughout my experiences are so many phenomenal people and beautiful places that one can only find in Chicago.  It’s become so apparent to me that my journey will never lead me to center stage, and that’s okay.   After all, to echo the borrowed wisdom I began this post with, it’s more about the journey itself than anything else.  

Tuesday, July 24, 2012

Unforgettable [Intern Intro: Rachel]

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By Rachel Wendte


“Be respectful of the space. Pay attention so that you don’t miss anything, and remember to enjoy it all. This is a once in a lifetime experience!”

These words could be spoken to any child about to see a performance. Sitting in their seat, anxious for a show to start, one can imagine a parent giving this talk as the lights dim. In this case, the small speech was given to me and about 25 others, barely above a whisper. We weren’t sitting in theater seats. We weren’t about to watch a performance. We were about to be part of one.

One of the most unforgettable experiences I’ve had in my life can be attributed to singing. I grew up in an area with a great children’s chorus and was fortunate enough to be a member for eight years.  During that time I was exposed not only to beautiful and diverse repertoire, but unique opportunities as well.  In 2001 we were asked to be the children’s chorus that sings during “The Waltz of the Snowflakes” in the Joffrey Ballet’s production of The Nutcracker. I sang in seven performances that year, all of them at the Auditorium Theatre.

For each performance we sat on little black benches in the orchestra pit with the other musicians.  We couldn’t see much, save the occasional glimpse of dancing feet, but there was plenty to watch down below. Violinists bowed their instruments in perfect tandem, punctuating notes with astonishing accuracy. Percussionists rumbled on their drums, the brass sounded majestic and clear, and flautists tinkered and trilled above it all. My favorite instrumentalist to watch was the harpist, whose fingers glided over the numerous strings. Near the close of the first act, with the snowflakes poised to take the stage, a small door in the pit flew open.  Off we went through a complex maze, with chaperones at every twist hurrying us along. Once backstage, behind the curtain, we began to sing. It was thrilling to think that at 11 years old, I had a real role. I was not only performing, but collaborating with others to create something spectacular!

Continuing to sing in different ensembles throughout high school, I felt that the natural choice for college was to be a performance major. I loved the program, and singing all day was a dream, but something was missing. The opportunity to experience a different side of the arts came from an unexpected source.  My voice teacher needed a Box Office Manager for our university musical that year, Into the Woods. Was I up for it? I decided to dive in, not knowing how I would accomplish the tasks I’d been given, but determined to do the job well. I successfully managed student volunteers, ticket reservations, and box office records for five shows. That same sense of fulfillment I’d felt as a child helping a performance succeed filled me now, and I made the switch to Arts Administration. Having one of the Arts Administration internships here is a joy. While searching for openings in organizations, I was struck by the care and interest that the Auditorium takes in its intern program, and was honored to be selected. Doing something a little different every day is fun and interesting. Learning new skills and assisting in our mission is informative and rewarding. Working here is, in a word, unforgettable.

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